While we sadly don't get enough films from British director Martin McDonagh, they have all been an absolute treat.
From the amazing debut with the incredible 'In Bruges', to the fun 'Seven Psycopaths' and most recently with the brilliant 'Three Billboards Outside Ebbing, Missouri', McDonagh is quite possibly the premier director at the moment for black comedies.
When I heard Colin Farrel and Brendan Gleeson were back collaborating with McDonagh, this was one of my most highly anticipated films for this year.
It began with having unexpected fillings. With the film containing strong Irish accents and it being set on an Ireland, I couldn't help but just think of the 90's sitcom classic 'Father Ted'. I'm sure I won't be alone on that. At first, it does genuinely feel like that.
But as the film goes on, there is more to it than that. There are fairy tale elements to the plot.
I like how much subtext is happening around the main story. The parallels with the Irish civil war, how we as a species confront with our own mortality and become aware of death, being remembered, loneliness, despair, forgiveness and many other universal themes.
The cast do a great job with many notable performances. It was great seeing Farrell and Gleeson together once again. The bickering between their characters might not be as strong as 'In Bruges' for me. But it remained very effective that helped enhance the films themes.
Kerry Condon was a scene-stealing support for Farrell's character particularly. With her character bringing some sense to the situation, her contribution was both vital and memorable.
The real star of the show for me was Barry Keoghan. The past several years has seen this talented young actor show the world what he can do. With many highlights already in his past catalogue, this is up there with his performance in the great 'Calm With Horses'. Despite the stupidity his character has on the surface, there are great moments of innocence and heart that felt very profound.
There is a lot to like from the technical side as well. The Irish setting is gorgeous to look at and make for some great opportunities for future tourist attractions. Carter Burwell's atmospheric score had that ominous vibe that something big was on the horizon in the story.
While I did like it a lot, I don't think it's quite as dynamic as 'In Bruges' or 'Three Billboards' was. But I will not be surprised if this gets a push in the major awards season.
It is a story with lots to cover when watching when discuss when the credits roll. But with a lot of it having emotional depth and tragedy, McDonagh's comedic style still comes through at regular intervals and I was laughing pretty consistently.
This is made with a lot of heart and passion, and I hope this does well with the masses as it has been given a wide release. I can see myself liking this more and more. But for now, this is a strong piece of work that balances out the comedy and drama perfectly.
Rating: 7/10
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